Storyboard #2 - Live performance

Here are some more Storyboards that Adam Lawson and myself created to show some possible ideas of shots to be used in the live performance sections of our music video. It's not a storyboard as such but more some general ideas of possible shots to be implemented. This is as I'm not sure of how the live performance shots will join with the narrative at this moment, I will wait till editing once I have all the takes together before I know how I want to edit the music video.

The annotations may not appear to clearly because of the quality of the scanning. So here is some detail of the storyboards below:

Shot 1: A close up of one band member in the foreground, with another in the background at a long shot/medium-long shot. Possible switch of focus between the two people.

Shot 2: Close up/extreme close up of a guitarist's fingers on the fretboard of a guitar. This shot will give the audience an insight to what the guitarists are playing and hopefully create a connection between the audience and the band.

Shot 3: close up/extreme close up of a guitarist's strumming/plucking. Once again, I hope this shot will give the audience an insight to what the guitarists are playing and hopefully create a connection between the audience and the band.

Shot 4: medium-close up/close up of the singer singing down the microphone on his side (profile shot)

Shot 5: medium shot of drummer through the cymbols of his drum kit. Hopefully this shot will give a good effect with the symbols shaking around the edge of the frame.

Shot 6: close up/extreme close up of a cymbol shaking in the foreground with  a guitarist in the background at a medium shot/medium-long shot. Focus will be on the guitarist in the background however I may include a pull of focus back to the foreground.

Shot 7: 90 degree pan from right to left to picture shown. Possible establishing shot to show the practice room setting. band shown at a long shot at end of pan.

Shot 8: shot looking down the fretboard from the headstock (going to have the camera mounted on the headstock). Similar to shot 2 and 3, this shot will give the audience an insight to what the guitarists are playing and hopefully create a connection between the audience and the band.